Today we have a post from one of the regular Aside From Writing blog authors, Mel Cusick-Jones. Today she tells us what she loves about writing as an indie and why she self-published in the first place.
I’d written for a long time before I published Hope’s Daughter, and even though I had worked on the novel for over two years (part-time around work and the rest of my life!) and taken it through numerous revisions and read-throughs with friends there are basic elements I would change now, especially with an extra 18months of reviews and feedback to take into account. But that’s the best part about reviews, and was the main reason I published the book in the first place…I wanted to know what other people thought of my story.
What I should say is that publishing isn’t what it was once… you can self-publish easily and relatively cheaply (promotion is tough though) where that was not really an option before ebooks came onto the scene.
I published Hope’s Daughter myself because:
I’m really impatient and didn’t do well with the traditional agent/publishing route. What I’d do is get a piece ready, send it away, wait X months and when it came back as a negative would begin something completely different thinking “well if they didn’t like this, maybe they like this” (hence I’d done several books before Hope’s Daughter). I think I’d sent one proposal to three places and Hope’s Daughter to one, before I decided to go the indie route – and that took me five years because of what I did in between.
A friend of mine works in product design and marketing and she agreed that it can be SO subjective whether they take on a project/design or not, and imagines it’s the same with publishing houses. You’ve got to get the individual liking it and then also from a business perspective it must fit with their operating model and where they want to spend their money at any given time – that’s a lot of considerations and a ‘business’ approach for a book. And look at some of the dross publishers do put out, simply because they want to replicate Twilight or another success story!
Personally – that wasn’t what I needed. Of course I’d love to hold a ‘real’ copy of my book in my hands or see it on the shelf in a shop – but the ‘virtual’ world bookshelves aren’t much less exciting. Your first good reviews are no less wonderful because someone’s read your book on a kindle and not in hardcover.
Creative writing is something I do when I’m not working and so it didn’t have to pay the bills (if that’s what you want – good luck – I’ve read that only 5% of authors make a living doing solely that), so when I was happy with the book I put it out there: I wanted to get wider feedback on the book beyond my local readers. And also, I’d written it so ‘why not’? It wasn’t doing anything sat inside the laptop.
And I suppose – from the occasional self-pub success story you see – if you are good, sometimes generating your own readers can demonstrate to publishers that you are viable as an author…without having to wade through dozens of slush piles to show them (also another long shot – but it does happen).
Hope’s Daughter had been through five full MS edits as well as numerous localised ones – so I was happy with the story. Four pre-readers had gone through it and given me feed back. I’d read it so many times I could probably recite scenes from memory – so I did it!
If you are going self-pub, make sure you’re ready to market – ideally before the release of the book – as you can get REALLY bogged down in the writing/publishing side to organise this properly. One of the best prepared launches I saw in 2012 was Marie Landry for Blue Sky Days – she used her network of blogs to ensure there was excitement for the book before release and then a very strong blog tour starting immediately after. Plus – it’s a good book! 🙂
Also – couple of good places to hone your skills – try Miss Lits (I’ve seen them on facebook) – you get to write short or full stories, everyone reads, reviews, etc. and you get constructive feedback, which like Ann says, you can then work on. Also – goodreads groups often have writing areas which you’ll get support and feedback on for your stuff so try there.
Phew – sorry – I got on a bit of a roll there – but hopefully it’s a little helpful and not just waffle. Basically, if you love writing – do it! Get the feedback, take it on board and practice. And when you’re really happy, try whichever route you want to go and that works best for you
Great, informative post Mel!
Good advice to those new to indie publishing. I know personally, I didn’t really know what I was doing when I started and my first two books were practically non-existent as far as everyone else was concerned. It wasn’t until I researched into promotion and then tried some of that out with the publication of “On a Foreign Field” that I got a lot more success. It’s still thankless most of the time, but I would never give it up for the world, and having a few awesome friends at your back works wonders =)
My reasons and process are very similar to yours, Mel. And yes, I agree, promotion is the hardest! Don’t you wish there was just some magical formula?
Marketing is harder than writing the book! One of the reasons is that it goes on forever more…if you’ve written a book five years ago, then it’s still out there and people are still (hopefully) reading it. The ONLY advantage I see in ever getting an agent is that they’ll take the promotion off your hands and let you concentrate on writing.
Having said that, I love connecting with people who’ve read my books and felt strongly enough to comment on them (good or bad), something I feel wouldn’t happen with an agent acting as a buffer.