Tony’s Thinking…Watch your language

I once saw a quote that said, “Every age has a language of its own”, and that’s especially true of YA writing. Writing contemporary YA has a peculiar wrinkle to it that I think is unique in any genre: slang.

What about, for instance, the evolution of the word gay.

Happy? Homosexual?

Or by dipping into the wonderful Urban Dictionary, you also come up with “…hilariously immature way of calling something bad.”

So let’s try bad.

Evil? Not good?

How about, “describes someone sexy”

See what I mean?

The words you put into your characters mouths to make them sound contemporary and up to date will do exactly the opposite in a few years time. Are there a lot of YA readers out there who still think something is groovy? Any of them say, Swell, daddy-o?

No. Didn’t think so.

And presumably, you want your story to be around for a while before you retire it to the Great Kindle in the Sky. You don’t want to cause a riot of laughter when your characters are trying to do something serious.

The only exception I can see to this rule seems to be the word cool, which has been around since the 1950s and doesn’t seem to be going anywhere.

Steer clear of the latest celebrities as well. Stay away from saying Someone Bent it like Beckham, or Had a Kardashian. (Being a Star Trek fan, I think you’re talking about are the lizard guys with the spoon rests on their heads – the Cardassians – anyway.)

One of my hobbies is reading Victorian literature – Dickens and Wilkie Collins for instance, and the references they drop in to contemporary characters all need a footnote now.

Think about that for a minute…If you write, ‘Oprah was on the tube’, (that’s a real example, by the way) in a hundred years from now, that’s going to have a little number after it and someone has to explain what you meant at the back of the book. You have to bounce someone out of your story while they figure out what you’re talking about.

And remember your characters voices are always going to be secondary to the story anyway. Show a reader how they act and interact, and their voices are going to be less important. I won’t care if they think something is bad because it’s sexy or gay because it’s bad.

An interesting way of getting round this problem is to invent your own slang and language – even make up your own celebrities. Have a character come up with the profanities as well. This worked so well in the Red Dwarf TV series, they could happily have a character say, ‘Oh Smeg! What the smeggin’ smeg’s he smeggin’ done?!’

Now that’s bad.

Guest Post…Everyone Wants to Be a Writer

After taking over our blog this week, lovely author Patricia Lynne leaves us with her final thoughts on ‘being a writer.’

Thanks for spending the week with us – we’ve had lots of fun and loved reading Being Human 🙂

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Everyone wants to be a writer

It’s something I’ve heard a lot. Everyone says they want to be a writer. Everyone! Of course, not everyone actually does it, but 99% of people have probably expressed it at one point in their lives. Want to know a secret?

I didn’t.

I never had any intention of becoming a writer. When I was in third grade, I had tried to write a story, but a passing classmate read what I had written and laughed. I scrapped the story and never tried again. What got me writing was a dream. In it, a girl was being kept from by her vampire love by the cast of True Blood. I woke up and thought it’d be fun to write, minus the True Blood cast. Even then I wasn’t calling myself a writer or had any plans to publish the story. It was just for fun

When I finished the story, I got another. And another! So I kept writing them. It was fun, but I still didn’t consider myself a writer. It wasn’t until I started looking into publishing while writing Being Human that I thought about it. Even then I was hesitant. My college papers in English weren’t As. One I got a D on one and struggled to bring it up to a B (if I knew what I did now, I wouldn’t have gotten any Ds.) But I was confident in Being Human. It was interesting and different and I was so tired of all vampires being the same: whiny wussies. Maybe I could do this. If I could find people to help me edit it, then maybe it would be worth publishing.

Sometimes, I am still wary of saying I’m a writer. I have one book published and a short. But I never intended it to happen! Do I really deserve to say I’m a writer when all this was a giant accident inspired by a dream? I don’t know, but now that I’ve started, it’s really hard to stop writing.

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Guest Post…From Sketch to Chapter

From Sketch to Chapter: an Illustrator at Work

For me, getting to work with Carolyn Arcabascio was a dream come true. On The Moon Coin, we worked from a master list of scene options, with Carolyn picking out scenes she liked and making sketches. For the prologue, Carolyn drafted three options. All three were great, but two in particular were spectacular. I first went with option 3 (one of my scene suggestions). I think we spent more time on this sketch and subsequent color drawing than on any other piece. But it never seemed right. At the eleventh hour, I asked Carolyn how hard she’d hit me if I suggested scrapping the thing and instead going with the pinky promise scene you see below (one of her scene suggestions).  Carolyn responded: “There would be no hitting involved!” and told me it wouldn’t be a problem. You sure can’t ask for better than that.

From the Prologue: Bedtime Tales

Richard: Did you make all these sketches in the same location, Carolyn?

Carolyn: Yes, I do all of my work at a drafting table that’s situated in a little nook of my apartment in Acton, Massachusetts. There’s a bookshelf to my right and a wall of “inspiration” to my left, where I hang prints of other artists’ and illustrators’ work. On either side of my drafting table are drawers of supplies, and stacks of sketchbooks and old paintings. The drafting table faces a window overlooking a quiet street and the woods beyond it.

From Chapter Two: A Coin of the Realm

Richard: Do you use models when you’re sketching?

Carolyn: I use a combination of models and photo references. If I need to work out the nuances of a character’s posture and really understand the perspective of it, I’ll ask whatever friend or family member is handy to pose for a sketch. Often, I’ll get into the position myself or mimic the facial expression I want to portray in order to get the feel of it. And sometimes, if there’s a character being portrayed multiple times across scenes, I’ll make a rough model of their head out of clay so I’ll have it to refer to.

From Chapter Four: To Barreth

Richard: When drawing fantastical creatures, do you use bits and pieces of real animals for inspiration, or have you actually seen a wirtle and you’re just not telling us? 😉

Carolyn: No wirtles native to Massachusetts, fortunately! When figuring out the look of fantastical creatures, I use photo references of different animals to understand the way the anatomy might work, and then combine features as I see fit and as the story calls for. To understand the wirtle’s legs and paws, for example, I referred to a series of photographs of show dogs leaping over hurdles. The severely arched, scruffy back was influenced by photos of hyenas on the prowl. The bone-structure of the face ended up being something of a cross between a cow and a warthog, and I wanted the snout to be bare—kind of gross and raw-looking. Add it all up and, voila! We have a wirtle.

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Thank you Richard for sharing this interesting and unique post with us today! 

For more information on the author and the book, as always…check out the links!

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The Moon Coin, by Richard Due, is available at AmazonBarnes & Noble, and the iBookstore for $2.99.

Copyright © 2011 by Richard Due. All rights reserved.

Gibbering Gnome Press, A Division of Ingenious Inventions Run Amok, Ink™

The Moon Realm™

Guest Post…My Pen is Lethargic

Interesting post from the blog of author Karen Payze on why it’s hard to get going with your writing sometimes.

Karen's avatarDrawing Room Days

You may be wondering why it is that I started a blog.  It all came about because of  a desire to reignite my creative writing flame.  I have been a bit stuck since completing my novel.  I have been asking myself for some time now why it is that I cannot seem to get myself to write a second novel.

I have come to realise that it is a combination of things rather than just one specific thing – like writers block.  In fact, I know that it is not writers block.  How do I know this?  Well, I have a million stories floating around my head, and more are added every hour of every day.  They just need organising.  So, writers block – not an issue.

When thinking about my reasons for not writing, the first thing that springs to mind is my previous book.  In the world…

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Count Dracula Should Really be Countess Dracula

Really interesting post on historical inspiration for fiction – particularly for vampire fans. Have been inspired to try the author’s book Evanescence – I’m feeling a vampire phase coming on after reading Ninfa Hayes’ Bites last week…

Mel x

saraesperanza's avatarAlexandra Pelaez

When people research the inspiration for Bram Stoker’s infamous villain, the name Vlad the Impaler almost always comes up. Renown for his cruelty and the number of his victims which number in the tens of thousands, Vlad was also called Dracula, his patronymic (a component of a personal name based on the name of one’s father, grandfather or an even earlier male ancestor. Dracula literally means ‘son of the dragon.’)

But Vlad may not have been the only inspiration. Based on certain components of Dracula’s background and character, it can be safe to hypothesize that Bram Stoker was also inspired by the legends of the most prolific serial killer of all time: Countess Elizabeth Bathory.

Born in 1560, Elizabeth Bathory was a noblewoman, and a member of one of the most powerful Hungarian families of the time. So powerful in fact, that they were more affluent in both money and…

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A cheeky reblog of my cover reveal from today – well if I can’t share it here, where can I? 🙂

Mel x

mel's avatarMel Cusick-Jones

I’m very excited to reveal the cover art for The Rainbow Maker’s Tale – Book 2 in The Ambrosia Sequence, which is due for release in summer 2012… This is the partner story to Hope’s Daughter – let me know what you think! 🙂

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Thinking about Cassie…

Mel’s recent post on being surprised by your character

mel's avatarMel Cusick-Jones

I’ve recently read a review of Hope’s Daughter on Goodreads (view it here) and it got me thinking – in a good way – don’t worry I’m not about to begin a rant about reviews and readers! Instead I was thinking that it’s really interesting to see how readers view your characters once you’ve created them, bundled them into a book and then sent them off into the world. The lady who reviewed Hope’s Daughter wasn’t really sure of what to make of Cassie at the beginning of the book and I’d agree with that – Cassie is rather confused and has plenty of self-doubt to contend with early on 🙂 who doesn’t at that age?

What I found most interesting was that the reviewer found Cassie more interesting once she got onto her placement and began to interact with Balik. I’m not sure whether I intentionally wrote it to work in…

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30 Days of Hunger Games…Peeta’s Reaping Day

I stare past the bright banners hanging from the buildings that surround the square and keep my eyes focused ahead, not looking at the faces of those who will soon be standing beside me. I hate the desperate grimness that the reaping day brings to the Seam.

Following the line of people, I file in silently like everyone else and sign my name. Then I follow the others as we’re herded into the roped areas, which separate each age group from another and the boys from the girls.

The space in the square fills quickly and the bodies press in more tightly around me as even more people arrive. On either side I’m aware of others looking about, exchanging terse nods with their neighbours before focusing their attention on the temporary stage set up before the Justice Building. I’ve kept my eyes fixed straight ahead the whole time and right now I find myself staring – somewhat blankly and without really seeing – at the three chairs nestled beside the podium on the stage. I don’t look at the reaping balls. I don’t want to think about them.

I’m sixteen this year. Closer to the front than I’ve ever been before, with my name on more slips of paper inside the boys’ glass reaping ball than I’ve had before. But I know I’m more fortunate than others – I don’t have extra entries for tessera in there – father wouldn’t allow us. We were lucky to be less desperate than many of our neighbours.

Two of the chairs are filled, by the Mayor and Effie Trinket. They make an odd pair: one balding and plain, the other bizarrely coloured like an exotic bird. I’m sure that she’s supposed to look beautiful and bright among the drab inhabitants of District 12, but to me there’s nothing lovely about her, only false colours and a garish grin. Even from this distance you can tell they are nervous about whether the intended occupant of the third chair will arrive.

The clock behind me chimes – two deep, melancholy bellows – then the Mayor takes his place at the podium and begins his familiar reaping day speech on the history of Panem. I tune out for a while, not really wanting to hear the one-sided review of history again. Nor do I want to hear about the bountiful generosity of the Capitol, who remind us district dwellers how lucky we are to be patronised by them, by killing children every year for sport. I don’t need to remember how much each of us is at their mercy; I see it everyday in the faces of the children at school and in the streets. The Capitol kill us each day of the year, just in slower, crueller ways; it’s just that they don’t bother filming these deaths.

Just in time to hear his name announced – the only surviving victor of the two District 12 has managed to produce in seventy-four years – Haymitch Abernathy struggles onto the stage and falls down, drunk, into the third chair. A smattering of token applause rises from the crowd around the square. I’m not sure if it’s for his appearance or the hug he tries to force on Trinket, which she manages to manoeuvre out of.

The Mayor tries to pull the attention of the cameras back to the reaping, seeing that – as usual – we are becoming the laughing stock of Panem. I wonder at how Haymitch ever managed to triumph at the Hunger Games as a boy…but then I also wonder about what he saw there that made him this way. I’ve no time to dwell on this as the colourful Effie Trinket springs to the podium and announces with cheer, “Happy Hunger Games! And may the odds be ever in your favour!” If the odds were in our favour we wouldn’t be stood in the square right now, awaiting selection for death – it’s a notion that obviously wasted on Ms Trinket as she happily moves us through the ceremony to get to the important part.

It all happens very quickly. Trinket finishes her speech and is moving towards the glass ball with the girls’ names in, announcing “Ladies first!” as she always does. Suddenly there’s something in my chest, a hard, rock-like something that erupts before she finishes unfolding the paper. I don’t know how or why, but I know something awful – even more terrible than usual – is about to happen.

For the first time since I entered the square, my eyes move from the stage, sliding to the left. I scan the girls gathered there, waiting for Trinket to speak and find the person I’m looking for. Katniss Everdeen stands straight and tall, her eyes forward, face frozen. The rock in my chest swells when I see her: the hair carefully braided around her face; the pale blue dress she wears, beautiful and more like that of a merchant’s daughter. The terrible feeling explodes: in that one instant I know that it will be Katniss going to the Hunger Games. I can’t turn away from her to look back at the stage. But I hear Effie Trinket call out the name, her voice cutting clearly through the unnatural silence. “Primrose Everdeen.”

The painful bursting in my chest freezes when I realise what has been said, but the terrible feeling does not disappear. I’m aware of unhappy murmurs from the crowd but still my eyes do not move from Katniss’s face. I watch as her body tilts forwards minutely as though something has punched into her stomach; the colour draining from her face in an instant. Then Primrose is there between us – passing down the narrow line which separates the boys from the girls – her small steps are stilted and awkward. For some reason, the thing I notice most is her blouse un-tucking from her skirt as she walks. She looks younger than her twelve years.

Primrose is beside me when I hear the noise. Pain and terror and fear rolled into a single word from a single voice. “Prim!” My eyes move beyond the small girl – almost invisible in the crowd of bodies – towards the owner of the voice.

“Prim!” Katniss shouts again, her voice strangled and tight. She’s moving now. Not shoving her way through; the crowd peels aside for her and she moves rapidly towards the stage. Around the edges of the square I sense another movement: Capitol guards moving nervously from one foot to another as they watch the scene unfold and wonder if there will be trouble. My own muscles twitch, my legs begging me to move forward and put myself between Katniss and the danger I can see she’s running into. My fingers tense into fists at my sides, the nails digging in to the skin beneath. I was right. Katniss Everdeen will be going to the Hunger Games.

She’s at the stage now, her blue dress fluttering out behind her body, then falling into gentle folds as she stops moving. In a single motion Katniss grips her sister’s arm and pulls the small body behind her own, taking her away from the steps. Though Katniss’s voice is no more than a gasp I hear her clearly as she says “I volunteer! I volunteer as tribute!”

The Capitol guards stop their shuffling. Now the team on the stage leap into action, although they are obviously unsure as to the protocol, it being so long since District 12 had had a volunteer. Effie tries her best. “Lovely! But…I believe…there’s a small matter of introducing the reaping winner and then asking for volunteers, and if one does come forth then we, um…”

The Mayor covers her blathering. “What does it matter? Let her come forward.”

I feel sick and angry and powerless all in the same instant. Primrose is clinging to Katniss now. I can see her screaming, but can’t hear the words. Nor do I hear what Katniss says to her or Gale, when he steps forward and pulls Primrose off her back. The small girl’s limbs thrash furiously but uselessly as she is carried back into the crowd.

There’s more talk on the stage now. I don’t hear any of it over the rushing in my ears as my heart pummels blood through my veins. Because I know now – just as I did about Katniss Everdeen – that I too will be going to the Hunger Games. I cannot begin to think about how I will explain to my family why I volunteered, although I think perhaps my father would understand a little. I swallow thickly, holding any doubts or questions deep inside me. I am going to be a tribute.

As my eyes refocus on the stage I’m in time to see Effie Trinket calling out, “Come on, everybody! Let’s give a big round of applause to our newest tribute!” No one claps. The silence is as total as that during the reaping announcement itself: no one moves, no one breathes. There is only quiet whilst Katniss stares impassively out at the crowd. It’s like this for a few endless moments, then I become aware of a shuffling around me; the lightest whisper of movement. And now I see them: first one person, then another and another until almost every member of the crowd is moving: they touch the three middle fingers of their left hand to their lips and then hold it out towards the blue figure on the stage. My impatient hand moves now, pressing against my own cool lips then offering her my admiration. For the others around me this is thanks, this will be goodbye. But I am not saying goodbye to her.

The silence is completely broken as Haymitch careens forward and slings his arm around Katniss’s shoulders, announcing something barely coherent but that sounds like praise. A moment later he pitches head first off the stage and is whisked away on a stretcher a few minutes later. I don’t really listen as Effie Trinket tries to regain control of the stage and her wig to proceed with the reaping ceremony. It doesn’t matter whose name she pulls from the ball, because I know that I will be taking that place.

I’m so focused on preparing myself to volunteer that I almost miss the announcement. “Peeta Mellark,” Effie Trinket’s warbling voice proclaims. I’m still for a second or two, whilst I realise what has just happened. And then I’m moving forward through the crowd towards the stage. The odds were in my favour it would seem: I don’t have to worry about explaining why I volunteered now.

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This piece was written by Mel Cusick-Jones, author of Hope’s Daughter, as a little creative experiment to compliment the 30 Days of Hunger Games activities taking place on Aside from Writing and World of Words…there’s more to come – so keep an eye out for our Hunger Games features 🙂

30 Days of Hunger Games…If Prim had a diary…

In the last hour the cameras have gone. Finally. The news crews, interviewers and other bizarre creatures of the Capitol have faded away into the darkness, leaving only silence and fear. Well, in our household that is. I’m sure – even though no one would say it – there is relief in many homes across the seam tonight and I don’t blame them, we’ve felt the same every reaping day for the last five years: sorry for them, but glad it’s not us. But now we’re them, Mother and I.

Katniss asked us to be strong. I think she meant Mother more than me. Mother will try I think, but I’m not sure she’ll be able to do this. I’ll have to do it for both of us. She’s not crying anymore, so I left her in the kitchen, sitting beside the table with our untouched reaping ‘feast’ laid out beside her. I had to get away from there before I began to scream: inside my head, all I could think was that this was the same table I’ve seen bear death, suffering and pain throughout my childhood. The two things kept crashing over themselves: the reaping – death – pain – the reaping. It seems so wrong that anyone – but especially Katniss – should have to face all that and worse, thousands of miles away from home and the people who love her.

So here I am, sitting outside The Hob in the cold, invisible beneath the thick night that’s covering District 12. I wonder if other Districts are like ours? Blanketed in smoke from coal fires or maybe they are warmer, brighter, cleaner? What kind of people will Katniss meet tomorrow when she reaches the Capitol? I’ve seen them over the last couple of years of course during the Hunger Games, but today I’m struggling to remember anything much. There was that girl though, the little one they named as Rue. Was it District 8…District 11? Twelve years old and small, just like me. But no one stepped forward for her. She wasn’t pulled aside so that her sister could take her place.

My eyes slid shut, then slowly open again. Even natural movements like blinking feel forced and excruciating. Now I’m staring blankly into the black at an empty wall, but my head is full of pictures. I can see Gale – looking right through me as he left our house this evening. I don’t believe that he wishes it were me, I just think he wishes it wasn’t anyone. He didn’t speak when the news people were around, which was probably a good thing because he looked like he was on the edge of control. And I’ve heard him say things secretly to Kat before, which would not go unpunished had anyone else ever heard them. So I’m glad he stayed quiet.

If Gale had been able, I know he would have bolted to the woods – it’s where Katniss would have wanted to go if their positions were reversed – but there was nothing normal about today. Capitol guards swarmed around District 12 in the aftermath of the reaping, preventing anything even bordering on subversive behaviour. So Gale was trapped like the rest of us.

In my chest there’s a hollow space. It feels like there should be something inside there, but I’m really not sure what. At first I thought it was my heart – I felt something a little like this before, when Dad didn’t come home from the pit. But then I realised it wasn’t quite the same. And now I think perhaps it’s my soul that has gone. Because it happened in the instant after Kat called my name. It happened the second my fear became relief.

Does this make me a bad person? As bad as the people sitting in the homes that surround me tonight, thankful that themselves and their children have been spared?

No. NO!

None of us are at fault. Surely to feel relief in being saved from certain death is not wrong, just natural. We cannot help feeling guilt for surviving, can we? But we shouldn’t have to – that’s the real truth.

Gale is right. It is the Capitol that is wrong.

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This piece was written by Mel Cusick-Jones, author of Hope’s Daughter, as a little creative experiment to compliment the 30 Days of Hunger Games activities taking place on Aside from Writing and World of Words…there’s more to come – so keep an eye out for our Hunger Games features, especially if you’re a visiting tribute collecting points 🙂

Mel’s Thinking…It’s Not That Easy Talking About Yourself

“Are you animal — vegetable — or mineral?” the lion asked Alice.
Who am I? It probably sounds like a weird question, but as soon as you start doing interviews or telling people about yourself and why you wrote a book, it definitely needs some thought. And it’s not that easy to answer.
I’m sure potential readers don’t want to know that I prefer dogs to cats, drink tea not coffee, can tidy but not clean…or maybe they do? Perhaps it would give some perfect insight into my writing. Then I have to decide on whether to go with *serious face* professional author interview or something lighter…am I funny, or is that only in my own head?
You can see from the number of questions I have – I’m really not sure who I am when it comes to writing about myself. I think everyone has so many personality facets it’s hard to decide which ones are relevant when you’re asked to write about yourself. It gets even harder when you’re used to focusing on what characters do and how they behave, rather than yourself. I’m sure of my characters, less so of myself it seems.
Is it just me – or do other authors find this pretty hard too?