tony talbot

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Guest Post…My Journey by Tony Talbot

 Blog regular Tony Talbot’s latest book was released last week! It looks fantastic and you can check out the book and teaser beneath today’s special guest post from Tony himself, talking about his writing journey, from first sentence to Eight Mile Island, his fourth novel. Speaking of the new book: you can enter to win your very own copy in our giveaway! **CLICK HERE**

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“Even a journey of a hundred miles begins with one.” – Chinese proverb

In case you missed it, I’ve just finished writing my fourth book in four years. I know, sometimes I can’t believe it either. Four books is four times as many as some people many in a lifetime; on the other hand, to some people, it’s nothing but the start of their career.

It seemed like a good time to take a look back and see if I’ve learned anything. How is Eight Mile Island (2011-2012) different from Over the Mountain (2008-2009)? What have I learned from it all?

One of the biggest differences for me is this, what I’m typing right now. My self-promotion for OtM was non-existent. I posted about it a few times on the Amazon boards (The awful ghetto of the meet-the-author forum was still a nascent nightmare back then). I didn’t have a webpage or a Facebook account. Didn’t tweet, didn’t know about Goodreads (Did it even exist?).

I’d finished OtM and sent it off to a few agents with no real results before I read an article about self-publishing. Figuring I had nothing to lose, I commissioned a woman I work with to design me a book-cover and I started to self promote. So there were all the twists and turns of uploading to get to grips with…

Initially I started SP’ing without much enthusiasm or sales, but I’m a persistent guy and I stuck with it while I started on my second book, Taken.

I’d finished that and number three – American Girl – when I stumbled across Goodreads at the start of this year.

And that’s when things started to happen. I offered some of my books up for review, and I’m getting some good feedback now – 4 and 5 star reviews, I’m delighted to say, and a growing group of people have me on TBR lists. I affiliated with this blog, and I started my own. I have a Facebook account for myself and all of my books, a website and a Twitter account.

And all that’s happened in the last seven months! It feels like I’d been feeling around in a dark room and suddenly found the light switch.

Self promotion is as least as important now as writing the book. And tied up with that is the book itself, how it looks and reads.

Something new for EMI…I decided to commission a graphic design company to do the cover for me. It was the first thing I did after I finished the first draft, and when the cover came back, it made me realise that something that looked this professional should be professional. Having a cover so good, it felt like I should step up a gear and do something more professional as well, but what?

I looked around on Goodreads, and quite a few people were talking about editors – my wife does a first edit for me, but she can’t catch everything.

OtM wasn’t read or edited by anyone but myself before it went live on Amazon, and I realise now how much of a mistake that was. A good edit would have caught some of the typos, and polished the parts I didn’t even realise are dull. A good editor can make a difference with just a few commas and a handful of comments.

So for EMI, for the first time, I hired a professional YA editor (jennifermoorman.com), and it made a world of difference. Literally, in my case, changing one word changed the whole of the book. Editing is something I have definitely improved. Buying a Kindle has helped in that regard. Funny how the loopholes and the typos jump out when it’s a different format!

And even when Jennifer and I were batting edits back and forward, there are still things we both missed. Editing never really stops…I’m a lot easier on typos in books now I know how hard it is to pin them down. EMI went through six edits compared to OtM, as a comparison.

All of this is, of course, expensive. Facebook is free, but my web hosting and blog costs money; my editor wasn’t cheap, and my cover set me back a few pennies. I’ve spent more money on EMI than any of my other books. It’s also, with all the editing and self-promotion, a book that’s taken me longer to write.

But I look at it as an investment. Make your writing look professional and people will respond to it. Have it professionally edited…do it for your readers if not for yourself.

I exist as a writer almost exclusively virtually and digitally, and all people know about me as a writer are the things they read about me on web pages like this and my cover photo. All they have to go on is my book covers and the samples they read. There are a lot of books to read out there, and I have to – and YOU have to, if you want to be a digital writer – make life easy for them. Be good to your readers, and they’ll be good to you in return.

Do I write the books any differently now? The mechanics of writing is easier now with all the writing I’ve done. I know where the commas go and what to do with paragraphs. That’s sublevel stuff now, a foundation I can rely on. I’m still learning it though – that’s another advantage of an editor – but I can concentrate on the story now without having to worry about speech marks.

I plan them out a little more now as well. I have a magnetic board in my office (a spare bedroom…I aspire to a writers shed at the end of the garden!) where I stick up a mind-map rough idea of what I want from the book. I don’t follow it to the letter though; it’s more of a spark for my imagination.

So that’s my journey from book one to book four.  It’s been a blast, and there’s no way I’m done yet! I have a plan for Book Five already…

At this rate, I’ll be back in a few years to talk about Books Six to Ten, the books I haven’t written and the characters I haven’t shared lives with…yet.

See you in five years!

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You can also enter to win your very own copy for Kindle in our giveaway! **CLICK HERE**

Welcome to Eight Mile Island. 

Dylan James is used to boarding schools. He’s been thrown out of so many in the past two years, he’s lost count. So when an elite academy in Oregon offers him a place, he doesn’t think he’ll be there more than a week.
 
But Eight Mile Island isn’t like anywhere Dylan has been before. In the dense forests around the school, there are things that look human but aren’t.
 
Things that are hungry, and waiting.
 
But that’s just the start of the mysteries, mysteries that mean Dylan may never escape. Even if he wants to…
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About the Author: Tony Talbot was born in the 1970s and started writing in 2008 after a dream he had and couldn’t shake. Eight Mile Island is his fourth book. Tony regularly contributes to the Aside from Writing blog and so look out for future features and posts from this great author.

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Want to know more? Check out the links!

Website: http://www.tony-talbot.co.uk    Twitter: @authortony

Facebook: https://www.facebook.com/tonytalbotwriter

Amazon: http://www.amazon.com/author/tony-talbot

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Tony’s Thinking…On Losing a Story

A few months ago, I’d just finished writing another novel, and was wondering (maybe dreaming would be a better word) what would happen if I was suddenly granted my wish…to be a full time writer and at that a famous full time writer. Kind of suddenly discovered like JK Rowling, people everywhere reading one of my books.

What would my life be like? Imagine that…never having to leave for work in the morning and never having to drive through snow or rain or rush hour traffic. To sit at my desk all day and (to quote Steven Spielberg) ‘to dream for a living’.

But it wouldn’t be all regular royalty cheques and a quiet home. I know I’d get easily distracted, sitting there in an empty house. I’d be forever checking my Goodreads reviews, my Facebook friends. There would be constant pressure to Tweet my every move. Not to mention the endless meetings and flying to Hollywood to meet with Mr Spielberg for the movie deal, and the endless parties and other things I’m sure I’d hate. Would be tough, I’m sure, having to fly to the Caribbean and lie on a beach.

I digress into my fantasy there, but thinking about how my life would change set me thinking about a story, as such things do. I imagined a housewife, bored with her life. She has everything she ever wanted: beautiful home, devoted husband and adorable kids. But still she’s bored. She’s always defined by how other people see how she relates to her family. She’s always a wife, or a mother…never just her.
Finally, she starts writing one day, just to slay the boredom and the incipient feeling that life has more to offer her. She writes, and she writes, telling no one – this is something just for her. Eventually she writes a novel and sends it to an agent, and they accept it, but still she tells no one what she’s doing.

Which is where the story starts: she’s sitting at her kitchen table, looking at an advance from an agent and a publication deal that would free her from her domestic life forever. All she has to do is cash the cheque and make it to the airport, and her life is her own. The story is about how trapped she feels, and whether she’d be more free if she was suddenly flung into the spotlight.

I loved that story. I really felt for that woman and what she was going through. It might have been realistic if she just told her family what she was doing when they came home, but I wasn’t interested in that; I wanted to go through what she was going through.

But here’s the really terrible thing: I lost that story.
I thought I had it saved on at least ONE of the computers I use, or the memory sticks that hold my work, but I can’t find it. I must have saved it somewhere because (being the tech guy I am) I always hit save before I print. And I printed two copies: one for me and one for a writing friend.
I can’t find my printed copy, and I NEVER throw my work away. I have hopes my writing friend can find it and I can re-type it. I’ve even tried a file recovery…but nothing.

Why not recreate it? You might ask. That’s a hard one to explain…stories are ephemeral, flighty things, gone with a breeze. If I re-write it, it won’t be the same story. I know I won’t be able to recreate the same…intimacy…with the woman in the story, I won’t get into her head the way I did when I wrote it on a whim. I won’t know who she is as well as I did before.

I’ve never lost a story before, and it’s gone as though it never existed. And I feel bereft. I’ve lost a story and it feels like I lost a friend as well, and they’re such hard things to grasp at the best of times. I know all the arguments: hit save, hit save, then hit save again. I did. I do.
But this time it wasn’t enough. Farewell, lonely housewife.

I’ll miss you.

(Stop Press 18th June 2012: My writing friend found my story! Thanks Portia! You can read it here)

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NEW RELEASE! Eight Mile Island by Tony Talbot

 Blog regular Tony Talbot’s latest book is released this week! It looks fantastic and we hope to get a review up very soon…in the meantime, check out the book and teaser we have for you today…

You can also enter to win your very own copy for Kindle in our giveaway! **CLICK HERE**

Welcome to Eight Mile Island. 

Dylan James is used to boarding schools. He’s been thrown out of so many in the past two years, he’s lost count. So when an elite academy in Oregon offers him a place, he doesn’t think he’ll be there more than a week.
 
But Eight Mile Island isn’t like anywhere Dylan has been before. In the dense forests around the school, there are things that look human but aren’t.
 
Things that are hungry, and waiting.
 
But that’s just the start of the mysteries, mysteries that mean Dylan may never escape. Even if he wants to…
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About the Author: Tony Talbot was born in the 1970s and started writing in 2008 after a dream he had and couldn’t shake. Eight Mile Island is his fourth book. Tony regularly contributes to the Aside from Writing blog and so look out for future features and posts from this great author.

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Want to know more? Check out the links!

Website: http://www.tony-talbot.co.uk

Twitter: @authortony

Facebook: https://www.facebook.com/tonytalbotwriter

Amazon: http://www.amazon.com/author/tony-talbot

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Tony’s Thinking…Watch your language

I once saw a quote that said, “Every age has a language of its own”, and that’s especially true of YA writing. Writing contemporary YA has a peculiar wrinkle to it that I think is unique in any genre: slang.

What about, for instance, the evolution of the word gay.

Happy? Homosexual?

Or by dipping into the wonderful Urban Dictionary, you also come up with “…hilariously immature way of calling something bad.”

So let’s try bad.

Evil? Not good?

How about, “describes someone sexy”

See what I mean?

The words you put into your characters mouths to make them sound contemporary and up to date will do exactly the opposite in a few years time. Are there a lot of YA readers out there who still think something is groovy? Any of them say, Swell, daddy-o?

No. Didn’t think so.

And presumably, you want your story to be around for a while before you retire it to the Great Kindle in the Sky. You don’t want to cause a riot of laughter when your characters are trying to do something serious.

The only exception I can see to this rule seems to be the word cool, which has been around since the 1950s and doesn’t seem to be going anywhere.

Steer clear of the latest celebrities as well. Stay away from saying Someone Bent it like Beckham, or Had a Kardashian. (Being a Star Trek fan, I think you’re talking about are the lizard guys with the spoon rests on their heads – the Cardassians – anyway.)

One of my hobbies is reading Victorian literature – Dickens and Wilkie Collins for instance, and the references they drop in to contemporary characters all need a footnote now.

Think about that for a minute…If you write, ‘Oprah was on the tube’, (that’s a real example, by the way) in a hundred years from now, that’s going to have a little number after it and someone has to explain what you meant at the back of the book. You have to bounce someone out of your story while they figure out what you’re talking about.

And remember your characters voices are always going to be secondary to the story anyway. Show a reader how they act and interact, and their voices are going to be less important. I won’t care if they think something is bad because it’s sexy or gay because it’s bad.

An interesting way of getting round this problem is to invent your own slang and language – even make up your own celebrities. Have a character come up with the profanities as well. This worked so well in the Red Dwarf TV series, they could happily have a character say, ‘Oh Smeg! What the smeggin’ smeg’s he smeggin’ done?!’

Now that’s bad.

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Just Finished…The Woman in Black (Spoilers)

The Woman in Black

Arthur Kipps is an Edwardian lawyer sent out to settle the estate of a dead woman who lived in a very remote house in the middle of a marsh. He discovers the house and village nearby live in mortal terror of a ‘Woman in Black’ whose appearance heralds the imminent death of a child.

A short book, more of a novella actually – it only took me two or three days to read. Because of that, the pacing was quick, and the book doesn’t hang around getting down to the main story, and the atmosphere around the haunted house and the marshes was handled nicely. There was more expectation of terror than any actual terror, and The Woman in Black didn’t really do much; she appeared and then vanished, then did it again a few times. Pretty much the worlds most passive ghost.

We’re told late in the book that whenever she appears, a child dies, which is immediately contradicted since she appears four or five times and only one child dies.

About three quarters of the way through, there’s a painfully constructed sentence with at least six commas in, a paragraph in length, which, also, does not flow, that is to say, is constructed clumsily, kind of like, almost, perhaps, this paragraph. Ugh.

It bounced me right out of the book in what should have been a tense scene, and I couldn’t settle back into the book after that. I kept looking for more clumsy paragraphs…and finding them.

The ending was rushed into the last five pages, and the deaths of the Stella (Arthur’s wife) and Arthur Junior had no impact at all – not surprising, since they were barely in the book and I didn’t get a chance to ‘know’ them.

In the end, a nice try at an Edwardian / Victorian Gothic ghost story, but clumsy sentence construction and rushed pacing at the end spoiled it for me.

I was expecting The Woman in Black to come rushing for me, but she only stood there and watched.

2/5 – Tony Talbot

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Just Finished…This World We Live In

This World We Live In – Susan Beth Pffefer

(Last Survivors trilogy)

This is the last part of a trilogy, the first of which I read a few years ago. An asteroid strikes the moon and shifts it closer to Earth, causing immense ecological damage. Tsunamis inundate the coasts and volcanoes fill the air with ash. Crops fail and sunlight is a memory. The first part of the trilogy focused on a rural family, the second a brother and sister in New York city, and the third now brings the two together.

It’s a short book, probably only 20,000 words, and it didn’t take me long to read. In places, it was rushed and disjointed, and it felt like there were parts that were cut: Characters would suddenly fly into a rage with no reason, then be calm and reasonable a half page later.

It wasn’t until the last few chapters that I felt the characters were in any peril, and it wasn’t until then that I felt moved or touched by them. There’s a section near the end where I could almost hear the author saying, “That’s it. I’m done. Let someone else write part four.”

Pfeffer’s writing style is clean and tidy enough, although some of the dialogue and arguments felt flat. There are endless descriptions of food, the hunt for food, will the food drop arrive, etc. Fair enough, the main character is starving, but could we have skipped over some of her meals?

Not a bad book, but it felt very much by the numbers. 2/5

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Just Finished…Divergent by Veronica Roth (Minor spoilers)

 

I picked this one up cold from a vibe from Goodreads. Quite a few people seemed to be talking about it and making it book of the month. Having read the 500 pages in under a weekend, I can see why.

The story is set in a crumbling Chicago of the future, some time after an unspecified ‘war’. Society has rebuilt itself along tribal lines: Abnegation, selfless charity workers, Amity, friends to everyone, Candor, who never lie, and Dauntless, the closest to the military. Everyone belongs to one clan, above all other sentiments, even to their family.

When Beatrice Prior is tested to see which clan she should take for the rest of her life, she’s stunned to discover she’s ‘Divergent’, having attributes of more than one clan. Told to hide her test results or her life will be in danger, she chooses the hard and brutal life of a Dauntless, fearless and militaristic. I was expecting her to announce she was Divergent at the start of the book, but it didn’t turn out like that.

The book follows her training and selection, and at times is brutal and honest in its description of the violent life the Dauntless lead, though never to the detriment of the story, or simply for gore. There’s also a romance between Beatrice and her instructor, an understated sub-plot that becomes more important at the end of the book. That was the only part that felt flat for me – there didn’t seem to be much chemistry between them.

The characters are all drawn well, each has their own personalities and weaknesses and strengths. Only the villains Peter and Molly seemed a little cartoonish, but that didn’t stop them from being brutally efficient at removing the competition.

Every page of this book has something going on. Either Beatrice is being tested, is falling in love, is trying to discover what it means to be ‘Divergent’ and why she should hide it, or is trying to stop war breaking out.

There isn’t a space wasted, and the pace of the book doesn’t slow at all. I rocketed through it, stuck to every page.

I can’t wait to swallow up the sequel.

4/5

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Mark of the Princess by B.C. Morin

The feisty and determined faerie Princess Alannah is many things, but she never thought she would be the key to her people’s destruction.

Kidnapped for a power she does not yet possess, Alannah finds herself in the clutches of the most malevolent sorcerer of her time. Maligo. Alannah escapes her prison with help from the handsome and stalwart warrior faerie, Brennus. Now she must cross mountains and forests fraught with rogue faeries, vicious Fae-hating trolls, dangerous shape-shifters, and more to reach the only ones that can help her control her incoming powers. The Elder Faeries.

With Brennus by her side, Alannah is determined to reach the Elder Faeries and save her people. Maligo is just as determined she never makes it that far.

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 Gimme 10 – Mini-Interview

Please answer each question in 10 words or less – that’s what makes it tough but fun!

Where do you find your inspiration? Anywhere and everywhere but I get really inspired with music. 

What is your favourite aspect of Mark of the Princess? It talks story but doesn’t give it away.

Who is your favourite character from Mark of the Princess and why? Brennus. He is very complicated.

What are you working on now? Book 2 of The Kingdom Chronicles. 

What do you love about most about writing? The smiles it puts on faces when they read it. 

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About the Author: B.C. Morin is a long time avid reader and writer. She began by writing poetry while in middle school and progressed to short stories in High School. Mark of the Princess is her debut novel.

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Want to know more? Check out the links!

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American Girl by Tony Talbot

Mary Tanaka is an all American Girl until the attack on Pearl Harbor makes her something terrible: Japanese. And when the US Government decides all the Japanese within a hundred miles of the west coast should be moved inland to prison camps, she has no choice but to go.

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EVENT EXTRA*** Additional Giveaway from Tony Talbot ***EVENT EXTRA

Use the following codes at Smashwords to get a free copy of one of his books!

VF44A Over the Mountain
UB79N American Girl
JG44A Taken
First come – first served 🙂 So be quick!
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 Gimme 10 – Mini-Interview

Please answer each question in 10 words or less – that’s what makes it tough but fun! 🙂

Where do you find your inspiration? My wife and my dreams

What is your favourite aspect of American Girl? The research into Japanese culture was a lot of fun

Who is your favourite character from American Girl and why? Ganaha-san; so dignified and reserved, and so tragic.

What are you working on now? I’m editing my latest book, EIGHT MILE ISLAND

What do you love about most about writing? Creating whole worlds and people from nothing. 

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About the Author: Tony Talbot was born in the 1970s and started writing in 2008 after a dream he had and couldn’t shake. American Girl was his third book, and he’s currently editing his next book and planning the book after, tentatively called, ‘Dome’.

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Want to know more? Check out the links!

Website: http://www.tony-talbot.co.uk

Twitter: @authortony

Facebook: https://www.facebook.com/tonytalbotwriter

Amazon: http://www.amazon.com/author/tony-talbot

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Guest Post…Where do you get your ideas?

Author Tony Talbot joins us today with a guest post on where writing ideas come from…

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It’s a common enough question, and one I think every writer probably has a half-different answer to. Some of them say from their own life experiences, some of them say from dreams or something they’ve seen or heard that sticks.

For me, it’s anything and everything I see, and most of the stuff that I dream. There’s a school of thought that says everything a writer sees never leaves their heads, but sits in there, waiting to bounce off something else. I like to think of it as my own solar system, the important stuff close to the star…and out beyond where the heat and the life is…ahh, that’s the good stuff.

There are comets out there, innocuous balls of ice and rock, dark against infinity. But give them a nudge, and they hurtle towards the planets, sometimes leaving a trail across the sky of my imagination. Sometimes they hit things. Wipe out whole continents, reshape whole planets and civilisations. Sometimes you think they’re going to smash into a planet only burn up in the atmosphere.

Here’s an example of one of those comets, one that left a bright streak but didn’t do much damage:

A month or two ago, I was eating in McDonalds with my wife on a Friday night, and sitting at the other end of this very noisy and busy restaurant was a woman at a table for two. Nothing very odd or spectacular about that, you would think, but she was wearing a wedding ring, and she was alone on a Friday night eating in a cheap restaurant.

Instantly, the questions about her started in my head: Who was she? Where were her husband and family (if she had one)? Why was she alone on a Friday night?

By the time I got home, the woman had stuck, and I managed to get a decent story out of her. Not bad for someone I never spoke to. And one of the pleasures of writing is this: Give this little snapshot to a dozen writers and they’ll come up with a different answer. That woman gave my little writing group a surprise party mistaken for an affair, a ghost story and a secret daughter. Just from a woman sitting alone at a table in McDonalds.

So next time you’re out walking somewhere, when you glance at something, glance again. You’ll never know when an image will stick and what you’ll do with it. Take that image and nudge some comets. Maybe blow out some continents.

You know, just for fun.

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About the Author: Tony Talbot was born in the 1970s and started writing in 2008 after a dream he had and couldn’t shake. American Girl was his third book, and he’s currently editing his next book and planning the book after, tentatively called, ‘Dome’.

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Want to know more? Check out the links!

Website: http://www.tony-talbot.co.uk

Twitter: @authortony

Facebook: https://www.facebook.com/tonytalbotwriter

Amazon: http://www.amazon.com/author/tony-talbot